Jan lievens
Dutch Baroque Era Painter, 1607-1674 Dutch painter, draughtsman and printmaker. His work has often suffered by comparison with that of Rembrandt, with whom he was closely associated from 1625 to 1631. Yet Lievens's early work is equal to that of Rembrandt, although in later years he turned more towards a somewhat facile rendering of the international Baroque style favoured by his noble patrons, thus never fully realizing his early promise.
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Jan lievens Air and Youth oil painting


Air and Youth
Date c. 1668(1668) Medium Oil on oak Dimensions Height: 84 cm (33.1 in). Width: 60 cm (23.6 in). cjr
Painting ID::  86586 		Jan lievens
Air and Youth
Date c. 1668(1668) Medium Oil on oak Dimensions Height: 84 cm (33.1 in). Width: 60 cm (23.6 in). cjr
   
   
     
Jan lievens A youth blowing on coals. oil painting


A youth blowing on coals.
c. 1625(1625) Medium Oil on panel cjr
Painting ID::  88580 		Jan lievens
A youth blowing on coals.
c. 1625(1625) Medium Oil on panel cjr
   
   
     
Jan lievens Jan Lievens oil painting


Jan Lievens
1629(1629) Medium Oil on oak panel cyf
Painting ID::  88799 		Jan lievens
Jan Lievens
1629(1629) Medium Oil on oak panel cyf
   
   
     
Jan lievens Portrait of Petrus Egidius de Morrion oil painting


Portrait of Petrus Egidius de Morrion
1637(1637) Medium oil on wood cyf
Painting ID::  89326 		Jan lievens
Portrait of Petrus Egidius de Morrion
1637(1637) Medium oil on wood cyf
   
   
     
Jan lievens Portrait of Rembrandt van Rijn oil painting


Portrait of Rembrandt van Rijn
c. 1628(1628) Medium oil on panel Dimensions 57 x 44.5 cm (22.4 x 17.5 in) cjr
Painting ID::  90207 		Jan lievens
Portrait of Rembrandt van Rijn
c. 1628(1628) Medium oil on panel Dimensions 57 x 44.5 cm (22.4 x 17.5 in) cjr
   
   
     
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     Jan lievens
     Dutch Baroque Era Painter, 1607-1674 Dutch painter, draughtsman and printmaker. His work has often suffered by comparison with that of Rembrandt, with whom he was closely associated from 1625 to 1631. Yet Lievens's early work is equal to that of Rembrandt, although in later years he turned more towards a somewhat facile rendering of the international Baroque style favoured by his noble patrons, thus never fully realizing his early promise.

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